Dettaglio del documento
Italian Experimental Cinema and Moving-Image Art : New Paths, New Perspectives
Abstract
Table of contents Introduction Rossella Catanese, Jennifer Malvezzi
Part I Towards an Italian Experimental Cinema: Pioneers, Early Theory and the Science of the Experimental
Futurism, Cinema, and the New Religion of Speed Michael Syrimis
Science Is Experimental: The Italian Pioneers of Scientific Filmmaking Maria Ida Bernabei
Everything Is Experimental: “Cinema sperimentale” as a Revolution (1934–1943) Andrea Mariani
Part II Expanding Cinema Among Industrial, Artistic and Amateur Practices
Olivetti Visual Culture 1968–1971: Sponsored Films, Environmental Media Federico Pierotti
Spaghetti Expanded: A Brief History of Italian Expanded Cinema (1967–1981) Jennifer Malvezzi
Mapping Musical Practices in/for Underground Experimental Film (1960–1979) Alessandro Cecchi, Maria Teresa Soldani
Part III The Network is the Medium: Television, Video and Pioneers of the Digital Age
Art and Television in Italy: First Attempts to Map a Troubled History Francesco Spampinato
Uncovering Italian Early Video Art: Pioneers, Exhibitions and Centres Laura Leuzzi
Computer Art in the Eighties Paola Lagonigro
Fade Out: Between Arts Flavia Dalila D’Amico
Part IV Thinking Outside the Box: The Political Places of Media
Radical Ecologies and Experimental Videos in Bologna in the Early 1990s Diego Cavallotti
Working at the Margins: Notes on the Cinematic in Italian Twenty-first-Century Artistic Practice Vincenzo Estremo, Francesco Federici
Amateur/Experimental. The Restoration of Italian Experimental and Artist Cinema Paolo Simoni, Mirco Santi
Italian Film Artisans Today: Contemporary Artist-Run Labs and Analog Filmmakers Rossella Catanese
Part V Focus on Personalities
Rhythms of Visions. Three Experimental Films by Corrado D’Errico Denis Lotti, Antea Tramontano
“Experimental Cinema Is Not an End in Itself”: Pasinetti’s Role at the Beginning of Experimentalism Carlotta Guido, Valentina Valente
Ragghianti’s Cinématisme: The Critofilms Between Painting and Architecture Marie Rebecchi
A Cinema of Research: Bruno Munari and Monte Olimpino Matilde Nardelli
What’s Happening? Antonello Branca and Documentary as a Happening Art Form Milo Adami
Gianfranco Brebbia: The Cineamatore Territory Dominique Willoughby
Carmelo Bene: The Agitator Adrian Martin
Alberto Grifi and a New Grammar of Vision Clizia Centorrino, Joyce Lainé
Cine-TV Experiments: La magnifica ossessione, and Beyond Leonardo Cabrini
Rethinking Filippo Panseca: Technological Experimentation and Esthetics of Communication Between the Sixties and the Seventies Valentino Catricalà
Politics of the Experimental Image: Angela Ricci Lucchi & Yervant GianikianMiriam De Rosa
Affective Encounters and Experimental Approaches in the Films of Alina MarazziValerio De Simone, Rosanna Maule
Sandro Del Rosario’s Sguardo Marco Bellano
Film and the Portal: The Experimental Animation of Leonardo Carrano Giacomo Ravesi
Printing Cinema? Printed Matter, Exhibition, and Film in Rosa Barba’s Work Hyunjoo Cho, Adeena Mey
Hacktivism in e-Xpanded Documentary: Paolo Cirio Carolina Fernández-Castrillo
Timeless Screens: The Video Pictorialism of Marcantonio Lunardi Pasquale Fameli
Between Culture and Technologies: Karmachina Laura Cesaro